MONDAY, 12.1.09

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Barcelona arts centre plan sparks national protest

Catalan government criticised for alleged heavy-handed manoeuvring

New director Vincenç Altaió portrayed by artist Albert Heras

New director Vincenç Altaió portrayed by artist Albert Heras

BARCELONA. The controversy over the future direction of Barcelona’s Centre d’Art Santa Monica is about to enter a new phase with the release of its 2009 programme, which has been shown exclusively to The Art Newspaper. The programme is a radical departure from the original concept of the Santa Monica space as a visual arts centre devoted to Catalan artists, and follows six months of overwhelming opposition to the proposed changes. Until July, when a new director was appointed, the centre mostly showed artists based in Barcelona—leading some to allege it was operating for the benefit of a clique, while others considered it an essential means of support and dissemination for local work.


The programme, under new director Vincenç Altaió, focuses on film, science, technology, communication, history and architecture. The programme includes a photography exhibition documenting environmental changes in Antarctica while “From A to X” will feature performances by 12 of Europe’s most famous actresses. Mr Altaió is a poet, essayist and art critic who has previously organised exhibitions for the Joan Miró Foundation in Barcelona. For nearly 15 years he has been the director of the KRTU (Culture, Research, Technology, Universals) organisation, which publishes books and holds seminars. Mr Altaió’s post was created by merging the funds for KRTU and the Santa Monica Centre, creating a budget of €1.6m, which is expected to increase sharply when a federal funding agreement is signed with Madrid.

His vision, which will be formally announced at a press conference later this month, will confirm that the Santa Monica arts centre will no longer be a traditional visual arts centre. As Mr Altaió described it: “It will be cutting edge. I’m convinced of that. When I’ve spoken to editors, directors, artists, from here and elsewhere, the general perception is very positive.”

But Pilar Parcerisas, author and president of the Asociación Catalana de Críticos de Arte (the association of Catalan art critics), told The Art Newspaper: “This is a [complete change] of plan. This project is about science and communication, dance, theatre—it’s a cultural centre. It’s not an art centre, not as we understand art centres in Europe.”

Ms Parcerisas also criticised the way the change of direction had been implemented. The Catalan government’s Council of Culture named Mr Altaió director in July without advertising the post, nor advising the then current director, Ferran Barenblit, who stepped down the following day. In response, the Catalan critics association, the Catalan Visual Arts Association, the Independent Gallery Owners of Catalunya and a number of other organisations, joined together to condemn the council’s plan to eliminate Barcelona’s last remaining government-sponsored venue for local artists. Criticism was voiced across Spain, including from Madrid’s Reina Sofía Museum, whose director, Manuel Borja-Villel, denounced the council’s methods in the newspaper El Pais.

“The Council of Culture’s proposal smacks of deception and implies bad planning and erratic politics, not to mention the ugliness of naming a director while there is still another in charge. This is a process that is sloppy and dangerous,” he wrote.

However, Dani Hernandez, representing the council, told The Art Newspaper that the previous administration did not invite open applications before making Mr Barenblit director.




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